![]() Layer Masks basically control the transparency of a layer, but with one very useful twist: instead of a whole layer being given a certain level of transparency, the Layer Masks method lets you apply it at different levels across different parts of an overlaying (layered) image. ![]() You can actually do a ton of stuff with Layer Mask, and to cover all of it would mean a whole separate tutorial just for this specific method, so here we’ll focus on the essentials for understanding this process easily. With the other two techniques we’re going to cover below, this last trick isn’t quite as easy. It also comes with the benefit of letting you manipulate exactly how and where two images blend together. ![]() This is probably the most versatile and popular method of merging two images in Photoshop. To start things off, let’s look at Layer Mask. Ready to get started? Here’s how to mesh two photos together using Adobe Photoshop. (You can also record the steps to make an Action like these.)Īlso note that the following techniques have been arranged in order of difficulty from more complex (and powerful) down to the simplest, though the basic photo joining steps described in Method 1 (Layer Masks) apply to all three photo merging options.Īlternatively, if you don’t have the time or inclination to use Photoshop on your desktop, there are also phone app options available for both Android and iPhone that allow you to do a quick creative blending of two photos. We actually explain how to do a basic version of this for methods 2 and 3 below. It’s also possible to combine two or more of the options below together to create a more complex photo composition. Some of these will fit your specific needs better than others, so experiment a bit and see what works best for the final creative result you want. The action and technique will work in Photoshop CS5 and beyond and we’ll use it do tackle both of the above problems in this video.If you’ve ever wanted to learn how to merge two images in Photoshop, this guide will show you three fairly simple and fundamental techniques you can use to combine images creatively.Īs with most tasks in Adobe Photoshop, there are several ways to achieve the same outcome. In the above we run into a similar situation where the lower half of the body has a different brightness and hue than the upper body. The above is a common situation that you’ll run into whenever shooting in the studio with a small light modifier like a reflector pan or beauty dish, whereby the neck and chest area don’t match the tones in the face. The former approach will provide you with a better result than the latter. In the rare case that it is lighter, you can either darken affected area first with a curve – save the mask used for the darkening so you can re-use it later – and then run the action, or run the action in the standard manner and use the darkening curve provided to bring the luminosity down. Note that this technique does tend to work best if the mismatched area is darker than the source which happily is the case in the majority of situations. It works best for fixing issues such as those presented in two sample images below whereby parts of the body do not match the face or other areas. It takes two averaged colors, computes the difference between them and applies that difference to a destination area via the appropriate blend mode. I call the technique the Subtracted Average Color Adjustment (SACA) – for lack of a better name – as this is exactly what it does. He’s a great photographer and a master at Photoshop actions so check out his work here. Big thanks to my buddy Brock McFadzean for helping me refine the action process. Unlike some of the other tools available to you such as curves, selective color or hue/saturation, this approach requires very little guesswork and is largely automated thanks to the corresponding action provided here. In this tutorial I’ll show you a unique approach to correcting mismatched colors quickly and intuitively.
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